Info.plist The Sims 3

Thought of the day: Hell

The leaves fall
but the music does not civilized.
Art does not sublime.

Pascal Quignard To find the underworld , page 10

All State Insurance Clip Art

suggestions DVD: Identity and commitment

The Cat in bag (1964)
Director: Gilles Groulx
Claude: French Canadian journalist to become unemployed, aspiring revolutionary existentialist with a large head. Barbara: Jewish English, studying theater, bourgeois family. Two Solitudes, feet in the snow, coming together for a few months romance lovers in the early 1960s, between the rhythm of a jazz Montreal stuffy and quiet of St. Charles in the classic tunes. The great story of a people in a small love story. (Memory Box Collection - The work of Gilles Groulx)

Orders (1974)
Director: Michel Brault
October 16, 1970. Pierre Elliott Trudeau enacts the War Measures Act following the kidnapping by the Front de Liberation du Quebec, James Richard Cross, the British trade commissioner, and Pierre Laporte, Vice-Premier and Minister of Labour of Quebec. September 27, 1974. First Canadian Film Brault, who portrays the fate of Quebec citizens, detained and released without charge following the orders of the Prime Minister: the drama of five fictional characters in a real crisis. (Box Michel Brault: Works from 1958 to 1974)

Comfort and Indifference (1982)
Director: Denys Arcand
Opening: "Men still prefer to suffer unbearable misery rather than recovering and abolish forms of government which they are accustomed. "By its words in the Declaration of Independence of the United States, Arcand began its coverage of the referendum campaign of 1980 until the federalist victory. Closure: Although images of the re-election of the Parti Quebecois in 1981, Solzhenitsyn's sentence puzzled as to the sovereignty mission in the near future: "Our lives are so short compared to the slow unfolding of history." (Denys Arcand Box: The full documentary work)

White Fang aka John Wolf

Painting A Glazed Figurine

suggestions DVD: Errol Morris Film

The Fog of War (2003)

Between the nine circles of hell in Dante, the 10 commandments of God and the 12 labors of Hercules, we must now add the 11 lessons of life by Robert S. McNamara. Former Secretary of Defense U.S. book honestly acquired its precepts into the arena of American power during the Second World War, the Cuban missile crisis and the war in Viet Nam. A key document in the current context, because the past is often the guarantor of the future. (The DVD from Sony Pictures offers twenty additional scene with McNamara).

Mr Death (1999)

Fred A. Leuchter Jr., an engineer, smokes six packs of cigarettes and drink coffee forty per day. It changes, improves, constructs an effective tool for implementing many detention centers in the United States. His biggest concern is to ensure those sentenced to death a fitting end ... Hired by the historian Ernst Zundel, on trial for defending his thesis revisionist left Massachusetts Leuchter to Auschwitz. Hammer and pick in hand, he tries to prove non-existence of gas chambers in Nazi concentration camps. The portrait of a citizen not ordinary, his rise to his fall. Electrifying.

Thin Blue Line (1988)

November 1976, Dallas. In heart of the night, a duo policeman stops a car with headlights off. An officer approached the suspect vehicle. Delivered to the driver's window, it is riddled with bullets. The murderer quickly leaves the scene. In quick interviews with a suspect of convenience, a criminal at large, ill-intentioned witnesses and police officers, lawyers and judges to justice slight, director Morris untangles a web of lies that led to the conviction of an innocent . When art saves a man from the death penalty.

aka White Fang a small bite of meat

Ballerina Foot Injuries

Agenda: It Posto

It Posto , 1961 - Ermanno Olmi

Domenico, the likes of young people who grew up too quickly falls in love with a beautiful Italian encountered for aptitude tests to work in the heart of a big company: "A company where you will not be paid much, but where you can work your whole life," his parents tell him.

Even if the young are both accepted, they are separated in different departments of the company. The young man left then uses all sorts of stratagems to see her again, well at some times, never getting to the happiness of their first intimate moments.

***

Two moments in the film, touch-sensitive writing in script and execution.

A long scene in the heart of a working room in the administrative department. Browsing the various offices where everyone else busy as work. Funny, effective. A beautiful bureaucracy.

Fracture dramatic. The story keeps the viewer to Domenico, the main protagonist, to a succession of scenes in the home of many characters encountered until now. The heterogeneous to show the diversity of the same social class, dreams, joys and troubles.

White Fang aka The Big Bad Wolf

St Dalfour Cream In Toronto

Movie of the Day: Autumn Sonata Film

Autumn Sonata, 1978 - Ingmar Berman

Bergman is a master in the architecture of a film, the construction of successive images.

Switching to fade between a woman who confides in her mother and memories of painful childhood:

face of Liv Ullman
that blends a little girl watching her mother leave her, in the heart of a
broad framework for dividing rooms.

Supervision as vortex memory. Aka White Fang

Rouyn-Noranda

Peter Doig Print/ Poster

the day: The hole of the day

Hole, 1960 - Jacques Becker

In the pipe of a prison, two inmates prepare an escape.
One digs a tunnel and the other produces a key craft.
The second shows the key first, nodded to his effectiveness.
They return to their work.
Just a quick glance from the second to an hourglass before going back to work.
Making real tension.

White Fang aka The Three Little Pigs

Do Vodka Cause Impotence

Film: The Man Who Loved Women

The Man Who Loved Women , 1977 - Francois Truffaut

Flashback. Past
black and white.
A man who writes his adventures with women tells of the discovery in his youth, mounted on a small stool, a box of love letters belonging to his mother - reminder letters arranged in a drawer he receives his lovers . Present
color. The same stool
appears in a scene prior, while the same man comes out the typewriter on which he will type his memoirs.
The sum of the future by the accumulation of past actions.
determinism of a love of women since childhood.
reflection from a single object. The same at different times.

***

Reply:

can not make love all day. That's why we invented the job.

No woman is none. Each has something unique and irreplaceable.

The legs of the compass are women who walk the earth in all directions, giving balance and harmony.

aka White Fang Common names: Wolf, wolf, wolf vulgaris / Scientific Name: Canis lupus

Groping Women In Train

the night Stories: Rembrandt Genet

Self Portrait, 1665 - Rembrandt

I guess deep down he did not care to be good or bad, or angry patient, greedy or generous ... It was nothing more than a glance and a hand. Moreover, and this selfish way, he had to win - what a word! - This kind of purity so obvious in his latest picture she is almost offensive. But it is by the narrow way of painting that he gets there.

If I were, broadly, roughly, remember this - one of the most heroic of modern times - I would say that in 1642 - but the man was already not trivial - misfortune surprises despair a young ambitious, talented, but also full of violence, vulgarities and exquisite delicacies.

Without hope of happiness one day reappear, with a terrible effort, he will try, because only painting remains, to destroy his work and in himself all the signs of the old vanity, as signs of his happiness and his dreams. At times he wants, since it is the goal of painting, represent the world, and both make it unrecognizable.

[...]

This effort led him to get rid of everything in him could take him back to a different vision, discrete, hierarchical the world: a hand is a face, a face of a corner table, corner table, a stick, stick a hand, a hand a stick ...

Jean Genet, The secret of Rembrandt - 1958

***

To the world and there never exist a single man. It is all in us, so it is ourselves. Each is the other and others.

Jean Genet, What remained of a Rembrandt torn into small squares very regular, and damn the crapper

aka White Fang Phoenix Coyotes

Is Edible Glitter Dissolving

Dujour Film: The Diabolical

The Diabolical, 1955 - Henri-Georges Clouzot

Int. Evening. Room apartment.

A women preparing to poison her husband.
few drops of sleeping pills in a bottle of alcohol.
The next trick: to drown in the bathtub once asleep. On
table, an empty glass and bottle trap.
Uncertain, the woman looks at her arms.
The husband finally enters the apartment. A baffle
household. Always
the bottle and glass on the table
symmetry: the same plane across the axis.
Man finally takes a drink to his conviction ...

Weapons latent threat objects as a method of suspense.

***

Inspiration Hitchcock's Psycho.
thematic resonance: the threat of water. The

Diaboliques: the bath for the drowning, the inertia of the pool where a corpse lies.
Psycho: shower fatal swamp coffin. Aka White Fang

heart of wolf

When Do I Use Sk And Sc

Film updated: Where are you?

Where are you?, Gilles Groulx - 1969

First stunning minutes.

fracture and fragmentation of the narrative style of sound and image.

Image:

Between camera shoulder or fixed

naturalistic color or duotone or black and white,

elliptical editing, repetition,

frontal the subject, scuba / diving-cons almost total

scale plans extremes - very close to maximal set,

one action for long still shot or covered in several angles ...

And the sounds: reverberation

female chorus

radio news

songs

exaggerated perspectives ...

***

Factual. Apparently.

35mm color and b & w, 95 minutes 9 seconds, 1969

Turning: From April 5, 1967 June 5, 1967 on the North Shore, St-Hyacinthe, and Montreal
Cost: $ 150 000
Working titles: Vocals first

***

Cinema in the city. The city in film.

Consider the experience of the Saint Lawrence River from south to north:

Old Montreal

The Chinatown

The Downtown

plan uninterrupted sequence drive a few blocks:

several times, many cultures.

Recreate fractures by different textures unique to audiovisual media:

video, 8mm film, 16mm, 35mm multiplied by the color and black and white.

aka White Fang to miss the

Were To Get A Chrome Desert Eagle Bb Guns

Diary: Gilles Pelletier, page 6

Cinematography

For part interview, working a white light image veiled.

Moloch Review and The Sun of the sfumato Sokurov, a certain coldness enveloping. Show

aging men, but also the myth.
Zeus on his throne, to the end of his reign, which reflects its achievements and failures. The share of man a God and vice versa.

***

Inspiration fragility

Picasso - Acrobat and Young Harlequin , 1905

aka White Fang Cha cha cha Wolf

What Lengths Does Lauren London Use For Her Hair

I still do not know ... Note

Hey, three or four players, you would not have movies to suggest? Aka White Fang

awaiting prey

Stores For Layaway For 2010

When you take the time to live, you appreciate most movies.

aka White Fang's teeth bin Shinee

Mini Vases With Suction Cups

Diary: Gilles Pelletier, page 5

Small note:

Learn from the intelligence of Errol Morris for the use of archives in the First Person series. The

apply in maximizing the uptake of tele-theater A simple soldier Marcel Dubé, Gilles Pelletier in the lead role.

Return to the piece written for determining the key moments to link to his life: artwork, symbol, metaphor.

White Fang aka Far from its wolf

How To Reset A Dial Lock Safe

Morning story: Death Becomes Her ... Premise

A man who knows he will die soon, the irony with which he would revisit once more the people and objects that are familiar.

Nathaniel Hawthorne , ideas and new sprouts, page 29

***

Meeting.

A great story that runs on a small coil in my head long ago. One

places. Several stories. Last

love. Last brush. Last Supper.

For one last time.

Dances aka White Fang with Wolves

Reverse Beartrap How It Works

work: Artist of the Beautiful

So is there any ideas of imagination, which seem so kind to it and nothing in common with everything that men consider valuable. In contact with the practice, they are liable to be broken and destroyed. It is required that the Artist of the Ideal has a strength of character that seems hardly compatible with its delicacy, he must keep faith in himself while the incredulous world assails him of his absolute skepticism, he must stand up against mankind and be his only self-disciple, both in respect of his own genius that objects to which it aspires.

Nathaniel Hathorne, Artist of the Beautiful, page 18

***

A little book light and ephemeral art.
And it's not a question of engineering. As
Brel said, there is the work that counts.

White Fang aka aka a pig's head louchon, to paraphrase Napoleon D.

Wedding Thank You Wording Destination

Diary: Gilles Pelletier, page 4

OBJECTIVE: Define

¤ Gilles Pelletier as an important player in the definition of French Canadian culture through his work as an actor and founder of a theater company. ¤
from its experience as a metaphor for the journey sociocultural Quebec.
¤ failed to show a man whose passions gradually moving away from him: the theater, boating, a sovereign Quebec ... ¤
Explorer metaphor of a private soldier, the battle of the little French Canadian
. Especially as the TV Theatre part of Dubé, Gilles Pelletier is absolutely incredible.

1 - an actor
Starting from rooms in which to play Gilles Pelletier, establish the key moments of his career and concepts that animate his game:

A - CONCEPTS ¤
text: learn, then unlearn.
¤ Method: Not adding the "must ..." but the journey.
memory situations, the evolution of the characters.
¤ Breathing: Secret of the character that lives. ¤
Partner: Discovering the truth of the character by the other, by the looks.
¤ Director: Assist the player to renew his game out of its automation.
¤ Technique: Breaking free by technology. Back
today to detail. No style without
natural. ¤
Public Theater as an art of revelation. The
held without artifice.

B - TURNING POINTS
¤ His debut play, fun to repeat at home with his sister Denise Pelletier
¤ First room in St-Jean d'Iberville, where he feels empty before the public in a state of imitation without generosity.
¤ Moments of revelation toward mastery of its work to reach the public:
- By the presence in time to live
- For Brutus
Energy - For Speech in Six Characters in Search of an Author
¤ Moments thanks: Discovery of its ability to act.
Achieving perfect to be real on stage, a certain transcendence of the technique to achieve the total incarnation.

2 - CITIZENShift
The different stages in the life and career of Gilles Pelletier closely match the evolution of Quebec. He witnessed and participated in its cultural, participating in support of the people to political activism. It now embodies a certain disillusionment with the realization of the sovereignty project, residing always convinced of his ideas.

A - ROOTS:
Provenance of a family "Half bohemian, part intellectual." Progeny of a farmer. Divides his time between the farm land and water to navigate. It even goes in the French Navy during the Second World War.
B - WITNESSES AND ACTOR:
Participates in the cultural excitement of Quebec from the Second World War as an actor. He pursued his passion for the sea rest of his career, so much so that its summer escapes by boat forced him to turn down roles. His boat episodes however are not leaking, but rather to find ways
C - ACCOUNTABILITY:
Build the Québec of tomorrow education: building a common culture. It forms
New Theatre Company with Georges Groulx François Gratton, his wife.
D - ACTIVISM:
participates in cultural events to show his taste for political sovereignty fervor. Prominent example speech St-Jean Baptiste by Gilles Pelletier, on the Plains of Abraham, Quebec June 23, 2001. (See Appendix for complete text).
E - QUERY: Se
questions today. The formation of a Quebec government is it still possible? desirable?

***

* APPENDIX

Speech Gilles Pelletier - June 23, 2001

A little higher, a little further,
We all want to go a little higher a little further.
We all dream to live long and healthy
To go around the world.

We also dream of winning the lottery
And to meet the love of his life,
Y are even those who dare to dream of a country.

It's nice to dream,
is where it begins;
But it's not where it ends.

I'm an old master,
I crossed the river and Gulf of St. Lawrence
I knocked in all theaters
You welcomed me home, to the small screen,
But tonight, on the Plains of Abraham,
is the Quebecer who is out.

Tonight, I'm telling you v'nu
Take your dream to reality,
And the only way to do that,
is to go a little higher, a little further.
Obviously, when you walk towards his destiny,
Should be a good sailor.
If you want to get wet, were little
always stay at the dock.

Tonight I speak to all Quebecers
who want to move,
And the young, in particular.
j'vous is beautiful, young
I understand your desire,
j'vous feels ready to embark

j'vous feels ready to embark
While I must admit, I spent
age of large crossed in solitary
I need a crew Without
crew, I can no longer take the sea

Tonight I'm here to tell you
What I need you .
I dream to sail with you,
But sometimes, there's a mist,
And my horizon is blocked.

I do not want to break the party
But anyway I'm gonna tell you,
Sometimes when I think of you, I
heavy heart: When you pick
,
When you are looking for paradise,
Sometimes these moments, I
m'demande, if you have been loved enough.

If you had said enough.
And then sometimes, When
j'vous heard of it, I
a little scared.

You. you worry me;
You say that French is rebellious
Who s'laisse not easily tamed,
But all languages have their difficulties.

French is the key to our identity.
If you like it, You will always
hand, if you
While n'l'aimez not enough,
One day he will die, And you'll
orphans.

You must say
"Hey! old! stop your great sermons "
Do not take it wrong, I'm not
v'nu lecturing you,
No! No! No!
Tonight, I'm telling you v'nu
What Quebec needs you.

I hear you and I trust I know that beyond
generations
We share the same momentum,
The same passion
If you want
We sail on the same boat;

I remain to
the bar while you climb the main topsail. We will anchor

To accommodate those who desire to travel with us

the way, we salute all nations
Who paddled these waters
Long before us.

We sail on the largest ocean
(Humans are everywhere)
By never forgetting
That way
world starts with us. Without

old stumps like me, And
ups like you
There's no travel
There's no dream, and there's no
appointment.

Tonight, I'm v'nu
tell you what the country needs us.
Happy Birthday Quebec!

aka White Fang on tiptoe

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Chronicle Books: Special

Nordic States, Denis Côté,
nihilproductions - 2005

Essentially fiction: After twenty minutes without dialogue, dies the repetitive electronic sound of a cardiogram, while a son ends the mechanized life of her mother is terminally ill: a staged modest, especially violent. Thus begins the journey of Christian initiation, leaving everything behind him, to go to start a new life across the world: Radisson, at the extreme limit of James Bay.

Especially documentary exploration of her new home, interacting with its people, experimentation with rituals ... Fractures of the same story, leaving a voice to local youth about their dreams for the future, the relationship with death.

Back to fiction, when seeds of a promise of rebirth for Christian, comes the inevitable fall. Like what, sooner or later, built his life on the dead led to his loss ...

Jimmywork Simon Sauvé
Atopia - 2004

To clear his family debts, Jimmy Weber claims to U.S. producer of commercial television to the Festival Western de St. Tite. Given the refusal of the organization to offer him a development contract for the event, Jimmy, with his compasses, his heart on their cargoes of beer to take hostage for ransom. But is always a risky plan to close a dog to fail ...

A Scam Coen Brothers' dismal worthy, in a mixture of fiction and documentary to Gilles Carle, featuring a Bukowski comforts of home.

Roger Toupin, grocer variety Benoît Pilon
Amazone Film / Cinema Libre - 2003

The corner grocery store variety - the family trade Toupin - farm. Gradually, around Roger Toupin, erase the traces of its past and toward a new day, a new neighborhood, a new life: the neighbors moved, his aging mother is placed in a shelter, he left his home long ago. What remains of her he loves, Roger? A friend and former client visit from time to time at his new apartment.

To see the roots of the Plateau Mont-Royal quietly dry up: the end of an era.

aka White Fang a wolf in sheep's

Body Producing Too Much Blood

Quebec Film of the Day: The Virgin Spring

The Virgin Spring , Ingmar Bergman - 1960

Ext. Day. Forest.

A young ingenue daughter, Karin, through a forest to bring up church candles expected by the priest. Three brothers traveling the allure of their simplicity and disarming in the woods. She decides to feed them, dine with them. After lunch, the two seniors are approaching their prey. Unable to contain their impulses, they violate Karin. The body of the gang leader based on his victim, his face covered with shade-shame. He gets up. The light flashed, caressing the face of Karin, soiled. Marked by light physical and psychological transformation.

White Fang aka El Lobo

How To Get Rid Of Acorns In Yard

Morning Stories: Simone Weil

GRAVITY AND GRACE
Simone Weil
Plon. 1947 (1999). 206 pages

***

Action and reaction.
from the words of the author to continue thinking cinema. Opening

Creation is made of the downward movement of gravity, the upward movement of grace and downward movement of grace to the second power. [Page 10]

***

must uproot. Cut the tree and make a cross, and then wear it every day. [Page 50]

- Bring her back on the weight of its packaging and determinism. Absolute terms with its past, bring it with you on his cross.

***

For any action, consider the aspect of non-object, but the pulse. Not: for what purpose? But: where did it come from? [Page 56]

- Building the character: Never lose your inner motivations. Toward coherence.

- Work Writing: Never hide your inner motivations. Do not be afraid of the other her reaction. Be honest with her writing.

***

No trace of "I" in conservation. There in the destruction. "I" leaves its mark on the world by destroying it. [Page 83]

- Create under the gaze of the Council of Masters - the assembly of his influences - and not stop in front of their disappointment. Breaking the rules of the guides.

- Stop and answer to Who am I ?, Then exceed their preconceptions about yourself. Destroy, destroy his image of me, to be closer to home. Path to the creation of integrity, the real word.

***

The metaphor of elevation corresponds to that. If I walk in the side of a mountain, I can see the lake first, then after a few steps, a forest. We must choose: either the lake or forest. If I want to see both the lake and forest, I have to go higher. [Page 116]

- Climb high enough to stop looking at his reflection in water (Narcissus) and exceed the branches that obscure our view. Climb to the top, top, to look honestly its forest and water. Climb the mountain to show his true face is revealed through the work.

***

Pythagorean Idea: The property is always defined by the union of opposites. [Page 118]

- Mounting as Pythagoras: Burst of the idea between plans, the souture.

***

Method investigation: as soon as we thought something, look in what sense the opposite is true. [Page 120]

- Do not be afraid - so welcome - to project its own reverse.

***

aka White Fang on the trail of the wolf ...