Bergman is a master in the architecture of a film, the construction of successive images.
Switching to fade between a woman who confides in her mother and memories of painful childhood:
face of Liv Ullman
that blends a little girl watching her mother leave her, in the heart of a
broad framework for dividing rooms.
Supervision as vortex memory. Aka White Fang
Rouyn-Noranda
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